Adriano Panatta didn’t raise his voice.
He didn’t need to.
The words came flat, firm, and final — the kind of statement that doesn’t invite debate so much as end it. As criticism swelled around Jannik Sinner in the aftermath of the Australian Open, Panatta looked at the noise and decided enough was enough.
“If you insult him,” he said, “stop watching tennis.”

No qualifiers. No diplomatic cushioning. Just a line drawn clean across the sand.
For days, Sinner had been dissected from every angle. His physical condition. His decisions. His demeanor. Why he pushed. Why he didn’t pull out sooner. Why he looked exhausted. Why he didn’t look enough. What began as analysis quietly mutated into accusation — as if endurance were a moral test and vulnerability a failure.
Panatta wasn’t having it.
To him, this wasn’t about a bad match or a disappointing result. It was about respect — for a player who gave everything his body had, and for a sport that claims to honor sacrifice while too often punishing it.
And when Panatta speaks, Italy listens.
A former Roland Garros champion, Davis Cup hero, and one of the sharpest minds tennis has produced, Panatta is not known for reactionary takes. He chooses his moments carefully. That’s what made this one land so hard. He wasn’t reacting to a headline — he was reacting to a pattern.
A pattern where young stars are celebrated until they show strain.
A pattern where playing through pain is romanticized — until it becomes inconvenient.
A pattern where the same fans who demand grit recoil the moment they’re forced to confront its cost.
Panatta turned his frustration not just toward critics, but toward the tournament itself.
He questioned how the Australian Open handled Sinner’s situation. The timing of medical evaluations. The expectations placed on a player clearly operating at the edge of physical collapse. The silence from officials while the narrative spiraled.
“This is not how you protect players,” Panatta implied. “This is how you expose them.”
That’s what made his defense feel different. He wasn’t shielding Sinner from accountability — he was shielding him from hypocrisy.
Because Sinner didn’t fake anything.
He didn’t dramatize.
He didn’t ask for sympathy.
He competed. Until his body said no more.
And in a sport that claims to worship that exact behavior, Panatta saw the backlash as something darker than criticism. He saw it as betrayal.
His words immediately split the tennis world.
Some applauded him for saying what few dared to say out loud — that fans don’t get to demand blood and then recoil at the sight of it. That endurance isn’t a performance, it’s a risk. That pushing limits doesn’t always end in heroics — sometimes it ends in consequences.
Others bristled. They accused Panatta of overreacting, of silencing debate, of turning analysis into loyalty tests.
But that missed the point entirely.
Panatta wasn’t saying Sinner is beyond critique.
He was saying there is a difference between critique and contempt.
Between asking questions and assigning blame.
Between loving the sport and feeding on it.
“If you insult him, stop watching tennis,” wasn’t gatekeeping.
It was a mirror.
It forced fans to ask themselves what they actually want from the players they claim to admire. Perfection? Invincibility? Or effort — even when it looks messy, even when it ends in pain?
Because Jannik Sinner didn’t lose respect at the Australian Open.
He revealed something uncomfortable instead: how quickly respect evaporates when excellence dares to look human.
Panatta saw that clearly. And rather than join the noise, he cut through it.
Not to protect a reputation — but to protect the soul of the sport.
The fallout is still unfolding. Debates about scheduling, medical protocols, and player welfare have reignited. The conversation has shifted, whether everyone likes it or not.
And at the center of it stands a simple truth Panatta refused to soften:
If tennis only celebrates strength when it’s convenient,
then it doesn’t deserve the players who give it everything.
Not Jannik Sinner.
Not anyone.